WARNER, Z1 14202, PAL2

Giving Steve Carell a long-overdue leading role in a mainstream Hollywood comedy, Evan Almighty is the sequel to the huge Jim Carrey hit Bruce Almighty. And while Carrey isn’t on the cast list this time round, director Tom Shadyac and Morgan Freeman are among the many returnees.

The focus of Evan Almighty switches to Carell’s Evan Baxter, last seen as a newsreader but now an elected official, who is chosen by God (Freeman) to build a new ark. And this ark needs, as you’d expect, to hold two of each species on the planet. Naturally, all the people around Evan think he’s gone mad, and this proves a healthy comedy mine that’s well exploited.

Evan Almighty isn’t without a few problems, though. The focus of the film isn’t always tight enough on generating the laughs, and Carell is surprisingly under-used. He’s on form when the material allows him to shine, but its often (admittedly impressive) special effects that end up taking centre stage, an odd road to choose for a comedy.

That said, Evan Almighty is still an enjoyable family comedy, and it’s not without rewatch value. It’s a fun little movie, and one that deserves extra credit for promoting Carell to top billing—that—that's a move long overdue. —Jon Foster

Fantastic Four is a light-hearted and funny take on Marvel Comics' first family of superherodom. It begins when down-on-his-luck genius Reed Richards (Ioan Gruffudd) has to enlist the financial and intellectual help of former schoolmate and rival Victor Von Doom (Julian McMahon) in order to pursue outer-space research involving human DNA. Also on the trip are Reed's best friend, Ben Grimm (Michael Chiklis); his former lover, Sue Storm (Jessica Alba), who's now Doom's employee and love interest; and her hotshot-pilot brother, Johnny Storm (Chris Evans). Things don't go as planned, of course, and the quartet becomes blessed—or is it cursed?—with superhuman powers: flexibility, brute strength, invisibility and projecting force fields, and bursting into flame. Meanwhile, Doom himself is undergoing a transformation.

Among the many entries in the comic-book-movie frenzy, Fantastic Four is refreshing because it doesn't take itself too seriously. Characterisation isn't too deep, and the action is a bit sparse until the final reel (like most "first" superhero movies, it has to go through the "how did we get these powers and what we will do with them?" churn). But it's a good-looking cast, and original comic-book co-creator Stan Lee makes his most significant Marvel-movie cameo yet, in a speaking role as the FF's steadfast postal carrier, Willie Lumpkin. Newcomers to superhero movies might find the idea of a family with flexibility, strength, invisibility, and force fields a retread of The Incredibles, but Pixar's animated film was very much a tribute to the FF and other heroes of the last 40 years. The irony is that while Fantastic Four is an enjoyable B-grade movie, it's the tribute, The Incredibles, that turned out to be a film for the ages.—David Horiuchi, Amazon.com

Offering a real improvement on its predecessor and successfully introducing one of the world of comics’ most popular characters in the process, Fantastic Four: Rise Of The Silver Surfer easily warrants some attention on DVD to go with its impressive box office take.

Picking up where the surprisingly tepid original left off, Fantastic Four: Rise Of The Silver Surfer finds the Marvel Comics Universe’s first family dealing with the celebrity that their powers have brought them, to the point where even a simple wedding can’t take place without interruption.

The film then takes a little while to re-establish its characters and re-introduce some of the issues that underpin them. But it’s not too long before the Silver Surfer arrives, and things really get into gear. For make no mistake: it’s the Surfer who ignites the film and provides some of the very best moments of Fantastic Four: Rise Of The Silver Surfer. Backed up by some superb special effects work, he’s a far more interesting draw that the returning Julian McMahon as Dr Doom.

While there are, inevitably, various problems that each of the characters in Fantastic Four: Rise Of The Silver Surfer must face, the film never opts to go knee-deep into them. Instead, it chooses a light, breezy tone, that’s suited well to family viewing yet not without some genuine blockbuster moments.

It’s no classic, but Fantastic Four: Rise Of The Silver Surfer is most certainly fun. And it’s equally certain that this isn’t the last we’ve seen of this quintet of heroes... —Jon Foster

The Fast and the Furious: Tokyo Drift has all the elements that spelled success for its predecessors: Speed, sex, and minimal dialogue. The plot doesn't need explication; it's a nonsensical series of confrontations and standoffs that serve to get us from one race to another. Tokyo Drift can most accurately be described as a visual poem about screeching tires, crunching fiberglass, and sleek female skin, set to a killer soundtrack of Japanese pop and hip-hop. The actors are only needed for tight close-ups of narrowed eyes or sweaty hands tightly gripping gearshifts, though Sung Kang, Better Luck Tomorrow, stands out as a vaguely philosophical hoodlum with deadpan charisma. The curved bodies of the cars and the luscious flesh of the women are both shot with a fetishistic hunger. The "drift" style of racing—in which the cars are allowed to slide in order to take sharp turns at high speeds—grabs your eyes; there's a strange, spectral beauty to rows of cars sliding sideways down a mountain road at night. Also starring Lucas Black (Friday Night Lights) as our wheel-happy hero; Bow Wow (Roll Bounce) as the scam-artist comic relief; and martial arts legend Sonny Chiba (Kill Bill) as a yakuza big shot. —Bret Fetzer

Disney couldn't resist the temptation to remake 1961's popular comedy The Absent Minded Professor, so they cast Robin Williams as Professor Philip Brainard (a role vaguely related to the character originated by Fred MacMurray), and the result is a comedy that, frankly, doesn't fully deserve its modest success. It's admittedly clever to a point, and certainly the digitally flubberised special effects provide the kind of movie magic that's entertaining for children and adults alike. The professor can't even remember his own wedding day (much to the chagrin of his fiancée, played by Marcia Gay Harden), and now his academic rival (Christopher McDonald) is trying to steal his latest and purely accidental invention-flying rubber, or ... flubber. The green goo magnifies energy and can be used as an amazing source of power, but in the hands of screenwriter John Hughes it becomes just another excuse to recycle a lot of Home Alone-style slapstick humour involving a pair of bumbling would-be flubber thieves. There's also a floating robot named Weebo and some catchy music by Danny Elfman to accompany dancing globs of flubber, but the story's too thin to add up to anything special. Lightweight fun, but, given the title, it lacks a certain bounce. Of course, that didn't stop Disney's marketing wizards from turning it into a home video hit. —Jeff Shannon

Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the underworld, the Toad (Ian McKellen), and his henchmen including the French mercenary Le Frog (Jean Reno).

While technically Flushed Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is very distinctive. Like Nick Park's Chicken Run and Wallace and Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride loaded with inside jokes and enough crude humour to earn a PG rating, and the band of singing slugs is also a hoot. —David Horiuchi

From J.J. Abrams (Lost), Roberto Orci and Alex Kurtzman - the team that brought you Star Trek, Mission Impossible: III and Alias - and executive producers Jeff Pinkner and Bryan Burk comes a new drama that will thrill, terrify and explore the blurring line between science fiction and reality.

When an international flight lands at Boston's Logan Airport and the passengers and crew have all died grisly deaths, FBI Special Agent Olivia Dunham is called in to investigate. When the search nearly kills her partner, Special Agent John Scott, a desperate Olivia searches frantically for someone to help, leading her to Dr. Walter Bishop, our generation's Einstein. There's only one catch: He's been institutionalized for the last 20 years, and the only way to question him requires pulling his estranged son, Peter (Joshua Jackson), in to help. Under Special Agent Phillip Broyles, our trio will discover that what happened on that fatal flight is only a small piece of a larger, more shocking truth.

  Actors

Anna Torv, Joshua Jackson, Kirk Acevedo, Lance Reddick, Blair Brown, Jasika Nicole, Mark Valley, John Noble & Michael Cerveris Certificate

15 years and over Year

2008 Screen

Widescreen 1.85:1 Languages

English Subtitles

English ; Danish ; Finnish ; Norwegian ; Swedish Duration

13 hours and 50 minutes (approx) Region

Region 2 - Will only play on European Region 2 or multi-region DVD players.